Abstract
Through her experiences as a queer feminist artist and cultural worker, V. Jourdain shares some of her artistic and curatorial practices in Quebec and France. Comparing the two cultures' consideration of LGBTQI+ minorities, she illuminates a few strategies for changing practices in art and artistic labour in two French-speaking communities. In this article, V. Jourdain shares her experience in research, creation, and passing down memory by opening up a dialogue between feminist frameworks, contemporary art and LGBTQI+ archives.
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