Contributors

Abstract

Previous article FreeContributorsPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreUTE META BAUER is the Founding Director of the NTU Centre for Contemporary Art Singapore, and Professor at the School of Art, Design and Media, Nanyang Technological University, Singapore. Previously, she was Associate Professor in the Department of Architecture at Massachusetts Institute of Technology (MIT), Cambridge, where she also served as Founding Director of the MIT Program in Art, Culture, and Technology.AMANDA CARNEIRO is a researcher. She graduated from São Paulo University and currently works as an assistant curator at the Museu de Arte de São Paulo (MASP) and as an editor of Afterall Journal. She organised the seminars ‘Art and Decolonisation’ and edited publications including the anthologies Historias Afro-Atlânticas and Histórias das Mulheres, Histórias Feministas, as well as the exhibitions ‘Sonia Gomes: still I rise’ and ‘Leonor Antunes: voids, joints and gaps’.DUNNE & RABY use design as a medium to stimulate discussion and debate about the social, cultural and ethical implications of existing and emerging technologies. Their work has been exhibited at the Museum of Modern Art (MoMA) in New York, the Pompidou Centre in Paris, and the Design Museum in London, and is in several permanent collections including MoMA, the Victoria and Albert Museum, and the Austrian Museum of Applied Arts (MAK). In 2015, they received an MIT Media Lab Award. Anthony Dunne and Fiona Raby are both University Professors of Design and Social Inquiry at the New School/Parsons in New York, where they co-direct the Designed Realities Studio.LAURA GRACE FORD is a London based artist and writer concerned with the socio-spatial dynamics of class. Drawing on cognitive mapping, hauntology and dérive, Ford interrogates the affective contours of the city. Her multidisciplinary practice forges connections with emancipatory forces embedded in the terrain. Ford completed a BA in Painting at the Slade School of Fine Art in 2001 and an MA in Painting at the Royal College or Art (RCA) in 2007. From 2013–14 she was Stanley Picker Fellow at Kingston University. She is author of Savage Messiah (2011) and is currently a Somerset House Studios resident and researcher at the RCA.DEHLIA HANNAH is a philosopher and curator based in Copenhagen. She holds a Ph.D. in philosophy from Columbia University, New York and is currently research curator for the Centre for Environmental Humanities at Aarhus University, Denmark. She is the editor of A Year Without a Winter (2019), which was initiated at Arizona State University during her visiting assistant professorship with the School for the Future of Innovation in Society and the School of Art, Media, and Engineering. Her work examines ideas of climate change, nature, and environment through aesthetics and philosophy of science.NAV HAQ is Associate Director at the Museum of Contemporary Art Antwerp (M HKA) where he is responsible for the development of the artistic programme.AMBER HUSAIN is a writer, editor and researcher living and working in London. Her essays are published in The White Review, 3AM and Radical Philosophy, and her first book will be published by Peninsula Press in 2021. She is a managing editor of Afterall Books.MARK LEWIS is a Canadian artist and filmmaker. He lives and works in London.DANA LILJEGREN is a PhD Candidate in Art History at the Graduate Center of the City University of New York. Her specializations and topics of interest include West African art, global contemporary art, postcolonial theory, and environmentalism. Her dissertation examines the repurposing of materials in contemporary Senegalese art and pays special attention to the global circulation of objects. She holds degrees in art history from Brown University, Columbia University, and Université Paris 1 Panthéon-Sorbonne.VUTH LYNO is an artist, curator and co-founding artistic director of Sa Sa Art Projects, Phnom Penh’s only Cambodian artist-run space, initiated by the Stiev Selapak collective. His artistic and curatorial practices are participatory in nature, exploring communal learning and experimentation through multiple voices. As an artist, he works with various media including photography, sound, and video, often resulting in installations and involving project participants in the production of meaning. As a curator, he is interested in the mobility of material and immaterial goods across places and times, and what is produced or transformed from this mobility.ADEENA MEY is a researcher and curator. He is Managing Editor of Afterall Journal and a lecturer at Lausanne University of Art and Design (ECAL), Switzerland.ALA ROUSHAN is an Asscociate Professor at OCAD University, Toronto and the co-curator/director of SUGAR, a curatorial platform exploring new trajectories for public art informed by site. Roushan’s practice includes research, writing, curating and teaching focused on digital culture. She is a PhD candidate at the European Graduate School in Philosophy, Art & Critical Thought, Saas-Fee, Switzerland and holds a Master of Arts in Advanced Architectural Design from the Städelschule. Her current research navigates the implications of digital technologies as it reveals depth of space beyond the limits of human perception.ANA SOPHIE SALAZAR is a curator, writer, and co-founder of the Museum for the Displaced, a cultural and social organisation addressing issues of forced migration, displacement, and statelessness. Through undisciplined explorations of nomadic, poly-lingual, and transcultural subjectivities and expressions, her work proposes inventive ways of challenging current geopolitical world mappings. From 2016 to 2020, she was Assistant Curator for Exhibitions at the NTU Centre for Contemporary Art Singapore. Ana graduated with an MA in Curatorial Practice from the School of Visual Arts, New York, and a BA in Piano from the Music School of Lisbon.NADIM SAMMAN read Philosophy at University College London before receiving his PhD from the Courtauld Institute of Art. He was Co-Director of Import Projects e.V. in Berlin from 2012 to 2019 and, concurrently, curator at Thyssen-Bornemisza Art Contemporary, Vienna (2013–15). He curated the 4th Marrakech Biennale (with Carson Chan) in 2012, and the 5th Moscow Biennale for Young Art in 2015. He co-founded and co-curated the 1st Antarctic Biennale (2017) and the Antarctic Pavilion (Venice, 2015–). He is currently Curator at KW Institute for Contemporary Art, Berlin.CHARLES STANKIEVECH is an artist, writer and curator. His award-winning body of work explores the notion of ‘fieldwork’ in the embedded landscape, the military industrial complex and geopolitics. He is Associate Professor and Director of Visual Studies in the Faculty of Architecture, Landscape and Design at the University of Toronto. He is an editor of Afterall Journal and in 2011 co-founded the art and theory press, K. in Berlin. In 2007 he was a founding faculty member of the Yukon School of Visual Arts in Dawson City, Canada (under joint governance by the Indigenous sovereign nation of Tr’ondëk Hwëch’in).ELVIA WILK is a writer living in New York. She is author of the novel Oval (2019) and her work has appeared in publications including Frieze, Artforum, Bookforum, Granta, n+1, The White Review, BOMB, Mousse, Flash Art, and Ssense. She is a contributing editor at e-flux Journal and a 2020 fellow at the Berggruen Institute. Previous article DetailsFiguresReferencesCited by Afterall Volume 50Autumn/Winter 2020 Published by Central Saint Martins, University of the Arts London Article DOIhttps://doi.org/10.1086/712855 Views: 511 © 2020 by Central Saint Martins College of Art and Design, University of the Arts London. All rights reserved.PDF download Crossref reports no articles citing this article.