Contributors

Abstract

Previous article FreeContributorsFull TextPDF Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreUte Meta Bauer is the Founding Director of the NTU Centre for Contemporary Art Singapore, and Professor at School of Art, Design and Media, Nanyang Technological University, Singapore. Previously, she was Associate Professor in the Department of Architecture at Massachusetts Institute of Technology (MIT), Cambridge, where she also served as Founding Director of the MIT Program in Art, Culture, and Technology.Lisa Blackmore is Senior Lecturer in Art History and Interdisciplinary Studies at the University of Essex. A specialist in Latin American cultural studies, Blackmore works in the confluences of practice and research, combining writing on the arts, ecology and memory with curatorial and audio-visual projects.Ashley Chang is dramaturg at Playwrights Horizons and a Doctor of Fine Arts Candidate in Dramaturgy and Dramatic Criticism at Yale School of Drama, where her research examines the intersections of theatre, performance, and ecology in scholarly criticism and artistic practice from the 1990s to the present. Danielle Child is Senior Lecturer in Art History at Manchester School of Art, Manchester Metropolitan University. In her research, she adopts an historical materialist approach to explore the relationship between contemporary art and capitalism through the lens of labour. Her book Working Aesthetics: Labour, Art and Capitalism was published in January 2019 with Bloomsbury Academic.Cooking Sections (Daniel Fernández Pascual and Alon Schwabe) is a duo of spatial practitioners based out of London. It was born to explore the systems that organise the WORLD through FOOD. Using installation, performance, mapping and video, their research-based practice explores the overlapping boundaries between visual arts, architecture, ecology and geopolitics.Macarena Gómez-Barris is the author of Beyond the Pink Tide: Art and Political Undercurrents (2018); The Extractive Zone: Social Ecologies and Decolonial Perspectives (2017); and Where Memory Dwells: Culture and State Violence in Chile (2009). Her new book project is At the Sea’s Edge: Submerged Perspectives on Oceanic Extinction. She is Director of the Global South Center, Pratt Institute, New York.Cayo Honorato is a writer, researcher and lecturer at the University of Brasilia. He studies the intersections between art, education and politics, particularly in relation to the work of education in art museums and exhibitions. From November 2018 to October 2019 he was a visiting researcher at London South Bank University.Hyunjin Kim is a curator and writer, currently the KADIST Lead Curator for Asia. She was the curator of the Korean Pavilion at the 58th Venice Biennale in 2019, the director of Arko Art Center, Seoul from 2014 to 2015 and a co-curator of the 7th Gwangju Biennale in 2008.Usha Ramanathan lives in New Delhi, where she works on the jurisprudence of law, poverty, and rights. She researches, writes and speaks on issues that include the Bhopal gas disaster in the state of Madhya Pradesh in 1984, mass displacement, eminent domain, civil liberties, beggary, criminal law, custodial institutions, the environment and judicial process. Her work draws heavily on non-governmental experience and its encounters with the state, a six-year stint for a law journal as reporter from India's supreme court, and engagement with matters of public policy.D. N. Rodowick is Glen A. Lloyd Distinguished Service Professor at the University of Chicago. His most recent book is What Philosophy Wants from Images (2017). Rodowick is also a curator and an award-winning experimental film-maker and video installation artist. He is represented by the gallery Campagne Première, Berlin.May Rosenthal Sloan is an independent curator, writer and educator based in Glasgow. She co-curated the exhibition ‘FOOD: Bigger than the Plate' (2019) at the V&A and was formerly a lecturer in Modern American History at the University of Glasgow. Her research interests are wide ranging and include food and food systems, storytelling and constructions of identity, and the role of design and art in everyday life.Anca Rujoiu is a curator and editor based in Singapore. As curator of exhibitions and later head of publications (2013–18), she was a member of the founding team of the NTU Centre for Contemporary Art Singapore. She is a PhD candidate in Curatorial Practice at Monash University, Melbourne.Nizan Shaked is Professor of Contemporary Art History, Museum and Curatorial Studies, at California State University Long Beach and author of The Synthetic Proposition: Conceptualism and the Political Referent in Contemporary Art (2017). Her Museums, the Public, and the Value of Art: The Political Economy of Contemporary Art Collections, is forthcoming with Bloomsbury Academic. Mercedes Vicente is a curator, writer and researcher. She has held positions as interim Director of Education and Public Programmes at Whitechapel Gallery, London; Curator of Contemporary Art at Govett-Brewster Art Gallery, New Zealand; and Research Curatorial Assistant at the Whitney Museum of American Art, New York. Her AHRC-funded PhD at the Royal College of Art focussed on the work of Darcy Lange. Her ongoing curatorial and archival efforts since 2005 to advance his legacy has entailed the preservation of his videos, the creation of the artist archive and curating exhibitions at institutions such as Tate Modern, Ikon Gallery, Camera Austria and NTU Centre for Contemporary Art Singapore. She is the editor of Darcy Lange: Study of an Artist at Work (2008). Previous article DetailsFiguresReferencesCited by Afterall Volume 49Spring/Summer 2020 Published by Central Saint Martins, University of the Arts London Article DOIhttps://doi.org/10.1086/709643 Views: 146 © 2020 by Central Saint Martins College of Art and Design, University of the Arts London. All rights reserved. Crossref reports no articles citing this article.