Abstract
ABSTRACT This article examines the devotional practices presented by The Book of Margery Kempe in connection to late-medieval English image debates. While scholarly consensus holds that Kempe displays an uncritical approach to the popular devotional practices of her time and a strong attachment to effigies, I argue that she espoused a much more nuanced view, deeply influenced by the anxieties raised in the clash between the Church and the iconoclastic Lollards. This article offers a case study of Kempe’s approach by analysing a scene in which her desire to experience a miracle of image animation is denied. This is a highly unusual outcome within The Book’s literary genre, which can be explained as an active engagement with the issues raised in the image debates. I conclude that the scene should be read as offering guidance on the idolatrous potential of devotional images and how to properly engage with such artefacts.
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