Abstract

This article examines cemeteries as repositories for vernacular literary culture, in the form of epitaphs, and as the inspiration for literature that brings necrogeography into tension with programmes of growth. It starts in the early nineteenth century, when Romantic period notions of individuality, intertwined with the novel, gave birth to modern cemeteries. These spaces have, in the interceding centuries, grown old and been threatened by expanding cities, infrastructure, and changing modes of memorialisation. As sprawling cities encroach on cemeteries, ‘perpetual rest’ has been challenged and headstones have been removed or consolidated, to make way for parks and amenities that benefit the living. Literary depictions of cemeteries in the twentieth century have both reinforced, and troubled the notion, that cemeteries are ‘archives in stone’ that must be protected at all costs.

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