Abstract
Nationalism is a masculine field and is based on “the unity of brothers”. However, there is an important participation of women in national projects. Women play an important role in the construction, strengthening and continuity of nationalism, both through active participation and through cultural and ideological involvement. Therefore, women attract the attention of national movements and discourses and become an indispensable subject of nationalism. This situation is also seen in the works of Eliyê Evdilrehman. In this context, in order to verify this claim, three works of Eliyê Evdilrehman, named Xatê Xanim, Şer Li Çîya, Gundê Mêrxasan, in which he tries to create a national identity with nationalist discourse and equip his readers with a Kurdish consciousness, have been examined. As a result, it was seen that the author presented the Kurdish woman as a national representation with her different roles and characteristics. The author characterises Kurdish women as rulers, leaders, warriors, resisters, advisors to men, biological carriers, carriers of culture and honour and idealises them as strong, free, intelligent and visionary. The author has glorified the Kurdish woman greatly, but he has done so by using sexist language and attributing masculine behavior and characteristics to women. Therefore, ironically and paradoxically, the glorification of Kurdish women in the works studied served to reproduce the patriarchy embedded in the Kurdish language and society.
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