Abstract
This is an essay that seeks to account for a genealogy of the experience of a white feminist who inhabits the Abya Yala, woven from life experiences, popular culture and academic production, where different traces and files are articulated to guide the task of answering questions about how we became the feminists we are and what is yet to be written in this story. The methodology used is autoethnographic and biographical making use of narrative strategies of comedy, in order to continue positioning experience, situated knowledge and concrete practices as pillars of decolonial feminist knowledge production. The conclusions of the essay, in terms of trial and error, constitute questions that inspire a deeper inquiry into how we became who we are.
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