Introduction

Abstract

This chapter introduces the book's scope, research questions, and main argument, focusing on the comprehensive study of the transformation of Indonesian cinema, particularly in its visual style, in the two decades following the end of Suharto’s regime (1998-2018). It argues that the rejuvenation of Indonesian cinema is significantly attributed to renewed visual aesthetics, primarily through enhanced cinematography and mise en scène. The chapter outlines the role of visual stylisation, such as lighting, production design, and camera movement, in revamping the Indonesian film looks, attracting local audiences accustomed to international films. The chapter establishes the importance of studying Indonesian cinema not only from political, social, and cultural perspectives but also for its artistic innovations. It includes personal observations and experiences that illustrate the growing popularity and artistic evolution of Indonesian cinema. Additionally, the chapter sets the stage for the book by discussing pivotal moments leading to its inception and previewing the book’s objectives, which include demonstrating the artistic richness of contemporary Indonesian cinema and advocating for its aesthetic study. The chapter concludes by laying out the book’s structure, methodology, and theoretical framework, which will be further explored in subsequent chapters.