Abstract
Film Style in Indonesian Cinema, 1998-2018: Lighting, Production Design and Camera Movement investigates the role of film style during the rebirth of Indonesian cinema following the collapse of General Suharto's New Order regime. The book argues that the renewal of Indonesian cinema was influenced by filmmakers who revamped the cinematic images of Indonesian film by foregrounding visual stylisation using cinematography and production design techniques. They transformed the aesthetic of Indonesian film to become stylistically complex with a pronounced degree of visual sophistication, offering local audiences pictorially appealing and engaging cinematic experiences.
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