Intertextual inclusions from a bard song as a phenomenon of implication in newspaper speech

Abstract

The article considers reduction as a way to transform quotes and winged expressions from bard songs. The material for the study was socio-political publications with fragments of lyrics by B.Okudzhava, V.Vysotsky, A.Galich, Yu.Vizbor, Yu.Kukin. The article presents different ways of variant formation based on the reduction of the component composition of statements, as well as semantic-stylistic and lexical-grammatical characteristics of the reduction of quotations and popular expressions from song texts are given. It has been established that the reduction of quotes and winged expressions from bard songs is one of the productive types of their modification in the press, characterized by wide variability. Different types of reduction of the component composition are distinguished reduction of the beginning and end of the phrase, contraction, isolation of key components. It is determined that reduction leads to a semantic renewal of the phrase, which is expressed in a shift of the semantic center or a change in the meaning of the statement. Implicit modifications of phrases presented in headings are often characterized by the semantics of incompleteness. Lexico-grammatical markers of incompleteness are function words, pronouns, syntactic extenders, and ellipsis. The implicational isolation was subjected to a separate consideration. The result of this type of reduction in the material under consideration was the formation of phrasemes of substantive-adjective, substantive-substantive and verb-substantive types. The isolation of phrasemes is accompanied by grammatical variation of components, which is the result of adaptation to a new syntactic environment. In addition, the isolation may be accompanied by a change in the internal syntactic links between the components. The research allows to clarify the lexicographic data and enhance the understanding of the bard song as a source of logoepisthems and precedent phenomena in modern language practice