Indian traditions & the Western imagination

Abstract

Daedalus Fall 2005 This essay is concerned with Western images of Indian intellectual traditions and the interactions between those representations and a contemporary “internal” understanding of Indian culture.1 I focus particularly on the elementary diversities that characterize Indian society and its intellectual traditions, as well as on the biases that result from paying inadequate attention to them. In an obvious way, this applies to seeing India as a “mainly Hindu” country (as Western newspapers often describe India, as do the newly powerful Hindu political parties within India); this “mainly Hindu” country is also the third-largest Muslim country in the world (with nearly 110 million Muslims). Less conspicuously, the contrast applies also to Indian intellectual traditions. This home of endless spirituality has perhaps the largest atheistic and materialist literature of all the ancient civilizations. To be sure, this accounting of the amount of unorthodox writing may be a little misleading, since Indian traditions are characterized by some prolixity. For example, the Sanskrit epic Mahabharata, which is often compared with the Iliad and the Odyssey, is in fact seven times as long as the Iliad and the Odyssey put together. One of the more striking Bengali verses I remember from my childhood is a lamentation about the tragedy of death in a nineteenth-century poem: “Just consider how terrible the day of your death will be. / Others will go on speaking, and you will not be able to respond.” But even this extreme fondness for speech is associated with an enormous heterogeneity of programs and preoccupations. Irreducible diversity is perhaps the most important feature of Indian intellectual traditions. The self-images (or “internal identities”) of Indians have been extremely afAmartya Sen