Abstract
The article is devoted to the theoretic comprehension of the artistic culture of Yakutia of the 20th — 21st centuries, first conducted from the perspective of methodological concepts of M. Mamardashvili-Pyatigorsky and the theory of modernization of S. Eisenstadt. The author develops a model for determining the properties and characteristics of the emerging cultural paradigm, denoting it by the term “ethno-modern”. The scientific novelty of the work is determined by the lack of research, in the regional art history and cultural studies, focused on methodological innovation in the philosophy of art. Identifying the patterns and characteristics of the formation of modern regional art is timely because it contributes to the description of cultural systems and codes of multinational Russia. The study sets the task of classifying the Yakut artistic culture (from the pre-modern to the post-modern) and the typology of the symbolic constructs of consciousness, which is inherent to the art of these stages. The current state of the creative culture of Yakutia is determined through the potential of theatrical, cinema, fine and musical arts (ethno-modern and ethno-premodern). The methods of interdisciplinary studies allows to identify the ethnoforming constructs of the artistic culture of Yakutia, different symbolic categories of consciousness in the spiritual landscape of the region and offer the author’s version of the analysis of the stages of development of European culture at the example of the art of the national region. There are indicated the two main trends that operate with symbolic constructs of a mythological or metaphysical type of comprehension. The result of the conducted study is the author’s concept of a new paradigm of the creative culture of Yakutia (ethno-modern), combined with the state of ethno-premodern. The article reveals the characteristics of this paradigm, potential of self-development and correlation with the accepted classification of European cultural evolution.
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