ШЛЯХИ ФОРМУВАННЯ ПОЛІСТИЛІСТИЧНИХ ОСНОВ КОМПОЗИТОРСЬКОЇ ТВОРЧОСТІ

Abstract

The purpose of the article is to characterize the emergence of polystylistics in art, in particular, in music, and determine ways of forming stylistic interactions in composer creativity. The methodology is determined by the works of musicological and cultural direction, where attention is paid to various aspects of style, polystylistics, and dissertation research on the issues of polystylistics in music and artistic culture. Scientific novelty lies in the systematic coverage of the foundations of polystylistics formation in the work of a musician and the identification of the causes of stylistic interactions in musical art. Conclusions. Musical art of the last decades of the 20th and the early 21st centuries demonstrates a variety of styles and one of the features of stylistic interactions – polystylistics. This phenomenon has become a feature of the postmodern time and the property of creative thinking of the contemporary composer. At the heart of the composer’s polystylistic thinking and the emergence of stylistic interactions are a number of reasons based on the formation of certain pan-European elements, their combination with national and individual style, and the circumstances governing the development of modern society. The study confirms the eclecticism of contemporary art, inevitability of style connections, saturation of the musical space with polystylistic features that determine the specifics of the development of art in the 20th–early 21st centuries.