Miniaturists — Graduates of the Imperial Academy of Arts on the Modern Art Market

Abstract

Graduates of the portrait miniature class at the Imperial Academy of Arts, which operated for more than half a century, were many first-class miniaturists whose names are now, unfortunately, known only to specialists. By now, most leading museums have published their collections of portrait miniatures, but historically, none of the researchers have considered the study of the art market (and the miniatures of academician artists appearing on it) as an opportunity, firstly, to identify new works of miniature art, and secondly, to find out whether an artist’s academic education or title influences contemporary pricing and the interest of buyers (which can be private collectors or museums) in his works.Nevertheless, it is the information on the functioning of the art market that provides data for more in-depth and comprehensive research. Thus, the sales index of a certain author much more clearly than numerous exhibitions can show its demand among art lovers. It should be noted that not all users of auction platforms are professional collectors. There are cases when personal exhibitions of artists did not contribute to the growth of interest in their work on the part of art collectors. There is also an opposite situation, when works by artists about whom only a rare researcher knows become a desiderata for many collectors. The present study expands the understanding of the place on the contemporary art market of Russian miniaturists associated with the Academy of Arts (its graduates and academicians), and makes it possible to fill in the gaps in the attribution and identification of the peculiarities of their works. It is concluded that there is no direct connection between the fact of studying at the Imperial Academy of Arts and the prices of their works, but the high artistic level of miniatures allows us to say that the title of academician was indeed given to the most worthy masters.