Abstract
ABSTRACT The article explores the notion of stunned languaging in the construction of poetic cries as a genre of grief in times of unspeakability while witnessing the online streaming of the Gaza Genocide. Weaving together conceptual, experiential, and poetic threads and traces, the article presents a hospicing project of heartbreaking scholarship as a form of bearing witness, collective accountability, and a caring commons. It discusses the role of language in mobilising the immobile through poetic cries that speak to failing intercultural projects and argues for the need for attending to the languaging of mourning and grief as hospicing work that is both post-human and post-secular.
Published Version
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