Abstract
ABSTRACT Since the 8th century, Indian traders have brought Hindu/Buddhist practices to Java, influencing the culture of sitting low. When furniture came to Indonesia during the colonial era, the Javanese started using low-wooden benches called dingklik for work and informal interactions. Despite having a simple form and being often hidden, dingklik underwent a transformation through socioeconomic activities in Java during the colonial period. Contemporary paintings, photographs, and films were used to analyse dingklik in terms of content, visual elements, and height in socio-economic activity. From an economic perspective, the shape of dingklik was oriented towards mobility so that for carry-on traders, the dingklik had smaller and lighter legs, making it easy to carry. Meanwhile, socially, the form of dingklik was influenced by philosophical symbolism, and for Javanese nobles, it had decorative features similar to royal chairs as symbols of power. This study highlights the shift in the value of traditional Javanese sitting facilities.
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