Abstract
The aim of this study is to analyze the state of genderless fashion design in current fashion weeks. Specifically, a quantitative content analysis was carried out. This was applied to a sample of looks from proclaimed or self-proclaimed genderless firms that have paraded on the five most important western catwalks according to publications such as Vogue, Elle or The New York Times. In this way, it was possible to observe the current state and evolutions that have occurred in western genderless fashion design. This analysis concludes that, even if there are still several fields in which genderless fashion embraces the most discreet, less daring and more utilitarian choices, this fashion is moving away from a merely pragmatic and traditionally masculine approach.
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