Abstract
Abstract This article examines Alonso Ruizpalacios’ 2018 film Museo with a principal focus on place. It looks at the architectural history of protagonist Juan’s hometown, Ciudad Satélite, and the history of Mexico City’s Museum of Anthropology. What is the historical significance of Ciudad Satélite, which was designed by famed architect Mario Pani? What motivates Juan’s journey across Mexico? In answering these questions, it seeks to address how Museo illustrates Mexican national identity and Juan’s sense of mexicanidad. This study also considers how Museo depicts indigenous culture, spaces, and language in relation to Juan’s crime. The final portion of this article looks at Museo’s commercial distribution data. Using world cinema and festival theory, I consider how Ruizpalacios’ work illuminates the nuanced presence of Mexican cinema in global festivals.
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