Abstract
At present, there is a great interest in Kazakhstan from different generations of people to folk art crafts. Folk arts and crafts are the basis of the country's cultural identification in the global space. The spatial environment or elements created on the basis of ethno-cultural motifs are a global trend. This article discusses the issues of preserving and reviving the artistic traditions of folk arts and crafts at a new level. The concept of the spatial organization of the environment for the production of folk art products is proposed, taking into account their specifics of technological production. The main goal is to create an appropriate spatial environment for high-quality production of elements of folk art, while maintaining the historical and aesthetic categories of products that ensure their recognition as works of art. The concept of integration of education, science and production, spatial organization of buildings of handicraft production is proposed.
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