Abstract
This article presents a comparative analysis of the ideological connotation and philosophy of dance art in China and Russia. The research is based on the comparison and analysis of the historical and modern contexts of the dance traditions of both countries, their connection with culture and ideology, as well as their influence on the formation of national identity. The results of the analysis will allow a deeper understanding of the role of dance art in society and its reflection of ideological attitudes and philosophical principles in China and Russia.
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