Abstract
The problem of ontology of fiction text still remains one of the unsolvable riddles in philology. Numerous definitions of fiction text, often associated only with method of creating a fiction text, in particular with principles of its form and structure or the language and style, are certainly an evidence of the interest aroused by the nature of fiction text. If we consider a fiction text as a single whole, we can note on the one hand that it is an embodiment of the content expressed by certain (linguistic) signs, i.e. its nature lies in a sign system of coordinates. On the other hand, fiction text, like any other text, is a kind of one common informational message associated with perception of reality on a sensual and imagery level. From this point of view, the nature of fiction text lies outside the sign system and is a way of cognition through direct visual- sensual perception. The purpose of the article is to identify features and qualities of fiction text relevant to the common method of modeling and to identify differences in methods of modeling fiction texts depending on the type of literature (classical, mass etc.).
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