Abstract
Abstract: This essay examines two prominent literary narratives and tropes at the turn of the nineteenth century that constellate around the seduction plot and the hermit narrative. These two ostensibly discrete narrative forms have a curious history as they play out in the printed iterations of the Elizabeth Wilson and William Wilson stories, two siblings whose lives were marked by differing forms of tragedy. By bringing together a tale of seduction, execution, and hermitic living, I show how the account of Elizabeth Wilson's execution for infanticide shifted from being a seduction plot to a frame tale for a hermit narrative about her brother. This narrative turn moves from an account that focuses on the policing of female sexuality to instead emphasize the curious life of a man who refuses social intercourse. But that shift actually signals something more complicated about how the early Republic sought to instill ways of feeling about gender and deviance.
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