Abstract
Folk paper-cut art is one of the bright pearls, with a wide range of shapes and a long history, that serves as a model for modern visual communication design in China and encourages designers to think creatively. Integrating emotional elements into a design not only can elicit an emotional response from the viewer but also can make works created using traditional rational thinking more vivid, energetic, and touching. The main focus of this research is on the path and method of incorporating folk paper-cut emotion into visual communication design. The research status of various feature extraction methods and image recognition methods at home and abroad is examined in depth in this paper. For the recognition of distorted images that are not transformed by mathematics, some effective methods are proposed. They are used to recognize artistic images of paper-cut patterns because they can extract effective features that are not affected by translation, rotation, scale change, or small deformation. Experiments have shown that they have a positive impact. The use of folk paper-cut art in visual communication design not only improves the quality of design work but also generates new ideas for the transmission and development of other traditional Chinese cultures.
Highlights
As one of the traditional folk art forms in China, papercutting has been developing for more than 3,000 years
Combining traditional folk paper-cutting with visual communication design and adding folk art to the foundation of modern design enriches the connotation of traditional culture and adds an endless supply of new ideas to visual communication design
Experimental Results and Analysis of R-T and SVD Recognition. e artistic conception beauty of design works is the highest level of spiritual function and the highest requirement for visual design, which means that the environment has a specific atmosphere or profound artistic conception. e space mentioned here has two meanings. e first one is the real space, that is, the real three-dimensional design and expression space. e second is the picture space, that is, the space of false two-dimensional plane design and expression. e visual communication design is more focused on the latter’s space design
Summary
As one of the traditional folk art forms in China, papercutting has been developing for more than 3,000 years. Chinese modern experimental art and commercial culture design under the multicultural background have made a new interpretation of the “image” of folk paper-cut patterns through different contexts [2, 3]. E flatness, decoration, and cultural imagery of traditional paper-cut art are interpreted and designed through the visual communication design, which can give the visual communication design a strong expressive force and can inherit and develop the paper-cut art [4–6]. Combining traditional folk paper-cutting with visual communication design and adding folk art to the foundation of modern design enriches the connotation of traditional culture and adds an endless supply of new ideas to visual communication design.
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