Abstract
Abstract The Apple+ television series For All Mankind imagines an alternative history in which the Soviets beat the United States to the moon and the Cold War space race never ends. Gender politics and associated dynamics are central to the action. This article explores plotlines involving two fictional cosmonauts: the first woman on the moon and a male crew member stationed at the Soviet's lunar base. It finds that FAM reinforces Cold War tropes, anxieties, and “us vs them” formulations. FAM's writers miss the opportunity to probe the complexities of gender and personhood in the late Soviet era. Instead of encouraging more nuanced thinking about “the Russians,” FAM's universe perpetuates Cold War sensibilities that promote competition and conflict on Earth and in space.
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