Abstract
Abstract The Hulu series The Great, an ahistorical satire of the eighteenth-century Russian Empire, set at the courts of Peter III and Catherine II, doubles as a critique of contemporary politics and culture. Created for Anglophone audiences with little knowledge of history, but aware of stereotypes of Russia as a despotic, dysfunctional backwater, the show's appeal rests on the love-hate relationship between Peter the bro-emperor and the “girlboss” empress Catherine, as well as the expectation that Catherine, ultimately, will “have-it-all.” This article examines the gender dynamics structuring Peter's and Catherine's narrative arcs and argues that Catherine's trajectory from naïve, self-declared enlightened European princess to skilled, pragmatic ruler undermines Peter's attempt to liberate himself from an outdated model of masculinity.
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