Abstract

Political fiction has a long history, dating back as far as Aristophanes and Plato. Being concerned with the themes like criticism of the contemporary ruling power, their policies, unjustness and social problems, politi-cal fiction has been used by authors like Jonathan Swift, Thomas More, George Orwell and many others. Fairy tales, at first glance intended for children, convey a wide range of implications including the social and political issues. For example, Brothers Grimm are said to have played a great role in forming a German na-tional identity. Fighting against the French occupation, the authors believed that spreading national con-sciousness through their fairy tales would encourage children, and not only, to strengthen the cultural identi-ty. However, Brothers Grimm national propaganda later led to extremes and turned into popularizing the Nazi. Nevertheless, at the same time, it proved that fairy tales are quite capable of spreading prejudice among the persuadable audience. George Orwell’s Animal Farm, a fairy story, is an outstanding allegorical novel against the Soviet Union and Stalinism, whereas some of Hans Christian Andersen’s fairy tales can be considered to be one of the best political tales of his time. This paper studies the political fiction of Brothers Grimm, Hans Christian Andersen and George Orwell, as well as the Georgian and American modern writers’ political discourse manifested in tales and its implica-tions. Based on comparative and qualitative methodology of research, the tales are divided into expressly, subversively or accidentally political tales and discussed from the standpoint of hidden or obvious political messages, their historical background and importance. As well as this, it discusses the reasons behind the increasing popularity of political fairy tales in the 21st century. Indeed, the study generates a clear image that the authors use the fairy tales to explore the socio-political state of the country and express their opinions. They have found a perfect way to get across their ideas and reshape the most important part of the society- the future generation.

Highlights

  • Being one of the integral parts of our everyday lives, politics has always been used as one of the overarching themes in their works by skilled writers

  • This paper studies the political fiction and its implications of the Brothers Grimm, Hans Christian Andersen and George Orwell as well as Georgian and American modern writers‟ political discourse manifested in tales

  • At first glance intended for children, fairy, or folk tales convey a wide range of implications including the social and political issues and encourage children, and adults to look at the problems from different angles

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Summary

INTRODUCTION

Being one of the integral parts of our everyday lives, politics has always been used as one of the overarching themes in their works by skilled writers. The history of political fiction dates as far back as Aristophanes and Plato, where the authors used social science fiction to openly and directly criticise existing problems in society. Being a mixture of fiction and realism, political fiction, known as a social novel, helps the authors to discuss the most problematic contemporary issues that trouble society, including violence against women, men and children, child labor and political injustice, in such an indiscreet manner that it relates to the reader and still leaves space for the wonder and imagination. At first glance intended for children, fairy, or folk tales convey a wide range of implications including the social and political issues and encourage children, and adults to look at the problems from different angles. This paper aims to discuss the political fiction in fairy tales, more precisely, the problematic issues brought up in the tales of the Brothers Grimm, Hans Christian Andersen and George Orwell. The reasons behind the increasing popularity of political fairy tales in the 21st century are identified

THEORETICAL FRAMEWORK
DATA AND METHODOLOGY OF THE RESEARCH
George Orwell
The Brothers Grimm
Hans Christian Andersen
Modern Fairy Tales
DISCUSSIONS AND CONCLUSIONS
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