Exploring the Playwright’s Self-Representation in Tom Stoppard’s Dramatic Works

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This article examines two masterpieces by the British playwright and screenwriter Tom Stoppard: the two-act play The Real Thing and the screenplay Shakespeare in Love. These works employ the author-as-character technique in disparate ways. This study will endeavor to demonstrate how the playwright interweaves artistic and realist elements, as well as the ways in which his intricate techniques of synthesis impact the written page and the theatrical stage.