Abstract
ABSTRACTIn this article, the authors approach cultural reentry by emphasizing the body, affect, and performance. To do so, they methodologically adapt Jones and Calafell's (2012) call for intersectional reflexivity. That is, through their collaborative sharing of stories, they attend to our intersecting identities. Particularly, the authors critique implications of their own global mobility in the structural systems of privilege and marginalization. They do so by reflecting on their embodied experiences of crossing borders and struggling with the notion of home(s). The three themes that outline their narratives are racialized mobility, the feeling of being away from “home,” and performing in-betweenness.
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