Abstract
ABSTRACT This article will examine ways in which three contemporary artists – the filmmaker José Díaz and the writers Gabi Martínez and Isaac Rosa – engage with la España rural as a would-be theme park. It will argue that pressure from the conventions of the self-discovery documentary (Díaz) or the nonfiction narrative of return to rural roots (Martínez), causes both artists to slip into depoliticized solipsism. Meanwhile, the satirical writer, Isaac Rosa, uses his short story “#SoyMinero” to decry a tendency to frame Spain’s depopulated, postindustrial landscape as a nostalgic iteration of heritage tourism. This paper will examine to what extent such approaches to la España rural, for all their good intentions, can offer anything but a fleeting glimpse of solutions to intractable national problems.
Published Version
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
