Abstract
Considering the conception of language as an intersubjective activity, this work intends to develop a study concerning the linguistic expression of a given time, in a synchronic period corresponding to the first phase of the Archaic Period of the Portuguese language. Taking a corpus formed by ballads of miracles of the major “troubadourbook” of the Medieval Iberia as reference, the Cantigas de Santa Maria (Saint Mary’s Ballads), by D. Afonso X, the various resources used by the author(s) to landmark such temporal category are highlighted and analyzed, taking two main aspects into consideration: the narrative production and the world which is being narrated.
Highlights
Considering the conception of language as an intersubjective activity, this work intends to develop a study concerning the linguistic expression of a given time, in a synchronic period corresponding to the first phase of the Archaic Period of the Portuguese language
Taking a corpus formed by ballads of miracles of the major “troubadourbook” of the Medieval Iberia as reference, the Cantigas de Santa Maria (Saint Mary’s Ballads), by D
Afonso X, the various resources used by the author(s) to landmark such temporal category are highlighted and analyzed, taking two main aspects into consideration: the narrative production and the world which is being narrated
Summary
Para situar as diferentes referências temporais em relação à instância de enunciação, as cantigas do códice mariano empregam diferentes recursos linguísticos responsáveis pela marcação temporal, e revelam estratégias temporais empregadas pelo rei-autor para marcar em suas narrativas em galego-português a proximidade ou a distância temporal dos milagres ocorridos da instância enunciativa, num entrelaçamento entre os tempos cronológico e linguístico. Essas diferentes “temporalidades” são percebidas nas narrativas pelo modo de articulação do enunciador, ou, segundo Ricoeur,[10] da voz narrativa, que confere aos fatos narrados um tempo coincidente, ou não, com o seu.
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