Abstract

The history of imperial dynasties in West Asia is replete with examples of remarkable urban foundations. Two notable instances are the Sasanian Ardašīr-xwarrah and the Abbasid Madīnat al-Salām, which can be classified as cosmic cities or heterotopias. This article examines the utopian foundations of these heterotopias. To this end, it analyzes four religious and imperial spaces: the representation of the earth and sky in the Zoroastrian cosmography, Yima’s Vara according to the Avestan texts, Ardašīr-xwarrah, and finally, Madīnat al-Salām. This investigation aims to ascertain the extent to which the spatial characteristics of each of these spaces have been utilized in the production of the subsequent architectural forms. Similarly, it examines the development of the cosmological and eschatological paradise in relation to the Achaemenian and Sasanian royal gardens. The theoretical framework of this study is based on Michael Foucault’s notion of heterotopia, which has been further developed by Henri Lefebvre’s theory of space. The conceptual metaphor theory offers a cognitive linguistic foundation for elucidating the projections of utopias and heterotopias onto one another. To this end, the article focuses on the conceptual metaphor GOD IS A KING.

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