Abstract
This essay looks at the Social organization Tupac Amaru’s architectural work in Jujuy in order to analyze it from a cultural critic. The territory chosen for the analysis consists on a thematic and an aquatic park, and a replica temple of Kalasasaya and La Puerta del Sol y la Luna, all located in the country-club for the poor in San Salvador de Jujuy. We approach this piece from different esthetical and political views trying to dissemble the multitudinary procedures, and how they reactivated new local senses of citizenship, capitalism, market, consumption and the most traditional ways of belonging.
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