Abstract

In this article, we propose to sketch some working hypotheses around the problem of the use of television series in the teaching of the FLE, addressing in an interdisciplinary way the possible fields of exploitation of contemporary cinema. We will focus most of our observations on the use of cultural stereotypes and intercultural communication, considering their expanded exploitation and illustration in the American television series Emily in Paris (2020). The issue of personal and cultural identity will also be explored from the perspectives of new media usage.

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