Abstract
O artigo debruça-se sobre a noção de obra-de-arte-total wagneriana aplicada à Arte Contemporânea. Desta forma, versa sobre o imbricamento das linguagens performativas e visuais e a dissolução da fronteira entre palco e plateia por meio da integração do espaço, de modo a fomentar a imersão do espectador. Neste contexto, diferente da relação ator-espectador, o jogo teatral é agenciado pela dinâmica espaço-espectador. Por fim, analisa trabalhos de artistas latino-americanos, entre eles, Diego Bianchi, Marta Minujín e Tania Bruguera.
Highlights
El artículo se centra en la noción de obra-de-arte-total wagneriana aplicada al arte contemporáneo
The article focuses on the Wagners concept of Gesamtkunstwerk applied to Contemporary Art
It deals with the interweaving of performative and visual languages and the dissolution of boundaries between stage and audience through the integration of space, in order to foster the viewer's immersion
Summary
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