Diskriminasi Rasial dalam Film IP Man 4: The Finale: Perspektif Humanisme Islam Hamka

Abstract

Racial discrimination, commonly defined as the belief that certain races determine human character or ability and that some are inherently superior, remains a critical social issue. The portrayal of racial discrimination in films significantly shapes societal perceptions and influences the treatment of racial differences. This article examines the application of Islamic humanism to film analysis, a relatively underexplored area in current scholarship. Using a qualitative-descriptive approach, the study analyzes scenes from Ip Man 4: The Finale to identify and examine instances of racial discrimination through the lens of Islamic humanist thought. The research findings reveal clear evidence of racial bias within the film, interpreted through the framework of Islamic humanism. The analysis draws on the works and perspectives of Hamka, who integrates religious texts such as the Qur’an and Hadith with an awareness of the social context, emphasizing the cultivation of spiritual values as a fundamental religious aim. This study contends that an integrated humanism—one that merges literary and religious viewpoints—provides a powerful approach to analyzing and addressing racial discrimination in film. By fostering a deeper understanding of human spiritual values, this perspective offers a meaningful lens through which to challenge and deconstruct racial bias in cinematic portrayals.