Abstract
The purpose of this work is the rescue of the sonata on Colombian themes of the composer Luis Antonio Escobar. The score, composed in 1948 intended to be presented to the music of Colombia Fabricato contest that year, can be found in the Heritage Hall of the cultural center library Luis Echavarria Villegas of the Universidad EAFIT in Medellin - Colombia.The work aims to determine the musical elements of the work and enhance its artistic content. Through description and analysis of the score, whose transcription is taken here as a primary source, the musical language, artistic, stylistic trends and its creative development are identified. Encrypted in its notes, are both primordial national composer influences, and new, acquired at that time by its newly started upper study of music in the United States. The work puts in relief some musical elements inherent in the composer.
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