Abstract

Guangxi ethnic folk music, with its unique musical expression - singing in the field, language of life, and symbols of ethnic life, expresses the feelings and lifestyle of people in ethnic areas. With the development of the times, national folk music also needs to inject new music language and new music elements on the basis of tradition, and make contemporary interpretation of national music language from three aspects of music ontology, performance techniques and music performance.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.