Abstract

Karol Szymanowski and multiculturalism

Highlights

  • The problem of self-determination of an artist who apprehends oneself as a representative of a certain nation, but is forced to selfactualize in the cultural space of a multinational empire, remained relevant for a long period for the majority of representatives of the Polish creative intelligentsia

  • The temporal distance that has formed between the eras, the changes in cultural paradigms that have taken place, encourage us to rethink the approaches to the various cultural-creating activities of artists in past eras, to evaluate them from modern positions

  • If we consider multiculturalism in a positive sense – as a phenomenon of social life characterized by coexistence and active interaction within one society of many cultures, the analysis of Szymanowski’s creative evolution in this context looks relevant for modern cultural figures

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Summary

Introduction

The problem of self-determination of an artist who apprehends oneself as a representative of a certain nation, but is forced to selfactualize in the cultural space of a multinational empire, remained relevant for a long period for the majority of representatives of the Polish creative intelligentsia. Можна висловити багато мірку‐ вань щодо позиції Пендерецького, однак те, що він називає еклек‐ тизмом, у даному випадку можна вважати прямим наслідком муль‐ тикультурності, в умовах якої відбувалося особистісне становлення Шимановського, та яка згодом стала ознакою його творчості загалом.

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