Abstract
In this article, we examine surprising examples of how AI-driven political entities integrate within the public sphere. We focus on an image illustration by The Guardian that depicts the US President Joe Biden alongside three agents of The Synthetic Party (Det Syntetiske Parti, DSP) from Denmark, focusing on the theme of deepfakes and elections. We argue that The Guardian’s portrayal of Biden/DSP highlights a paradoxical shift caused by what we call a ‘deep faking’ within a ‘flat reality.’ On this basis, we venture into a conceptually transversal intersection of geometry, politics, and art by interrogating the wide flattening of political realities — a transformation conventionally characterized by a perceived move from depthful, nuanced discourse to a landscape dominated by surface-level engagements and digital simulacra. We suggest that this transformation may lead to a new political morphology, where formal democracy is altered by synthetic simulation.
Published Version
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