Abstract

This article examines the intricate world of Pakistani song lyrics, aiming to unveil the reinforcement, glorification, and normalization of gender roles and marital stereotypes within Pakistani society. Grounded in cultivation theory, it investigates how the repetitive exposure to these songs may significantly influence passive audiences, shaping their perspectives on societal norms and gender dynamics. Drawing from feminist theory, the study critically examines these lyrics, scrutinizing the presence of negative gender roles and marital stereotypes. Combining feminist theory with critical discourse analysis, this research sheds light on the complex, nuanced, and sometimes overt ways in which deeply ingrained gendered generalizations and hegemonic power dynamics are discursively constructed, reinforced, negotiated, and questioned in diverse contexts and societies. The study underscores the imperative of moving beyond critical analysis to advocate for genuine transformation in addressing gender inequities. By peering into the world of Pakistani song lyrics, this research contributes to the ongoing discourse on gender roles, stereotypes, and societal change.

Full Text
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