Abstract
The essay is dedicated to Mário Cesariny's critical exercise on Maria Helena Vieira da Silva paintings. We seek to think how the poet engages in this dialogue to elaborate a thought about the image and its temporalities. Articulating his texts to the work of authors such as Aby Warburg, Walter Benjamin and Georges Didi-Huberman, we seek to circumscribe Mário Cesariny's work in a theoretical scene that dedicates itself to the disarticulation of pre-established knowledge about the arts and their historical materiality. The siren's song and the texture's sewing unfold throughout the pages as images that move the reading that is conceived here.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
