Abstract
This text tries to demonstrate the relevance of surrealism, hglighting contemporary issues based on the Venice Biennale of Art in 2022. The study analyses poems from four books by Isabel Meyrelles, starting from the hypothesis that there is a relational unity ‘I’ - ‘you’ in metamorphosis in her work. Additionally, the temporal relationship between past and future is emphasized, highlighting the surrealistic perfect present of the love question. The work is revisited through the analysis of past repertoires and transgressions of the present, bringing Isabel Meyrelles’perspective closer to that of Donna Haraway’s perspective of the blasphemous myth.
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