Abstract
ABSTRACTThis paper explores the nexus of historical geography and heritage studies, using the case study of the Sovereign Hill outdoor museum in Ballarat, Australia. It reports on the application of more-than-representational thinking to spaces of heritage, and advances the argument that Sovereign Hill can be usefully understood as a semiotic landscape animated by the making, knowing and re-creation of the past, replete with both designed and incidental affective resonances and emotional affordances. The research upon which the paper is based aimed to capture the essences of encounters, engagements and moments of emergent meaning within a site that speaks to both an historic and newly made heritage. Key to this exploration were the energies, realities and responses of actual bodies as they moved around and interpreted the various ways in which Sovereign Hill presents the past to its visiting audiences. Methodologically, the paper draws from a series of qualitative visitor interviews gathered in 2014.
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