Abstract
Starting out from a reading of Cristóbal de Castillejo's sixteenth-century sonnet referencing the medieval Occitan troubadours, "Garcilaso y Boscán, siendo llegados", this article reflects on cultural and temporal translations of medieval troubadour lyric. In the second part, it examines in more detail Augusto de Campos's modern Brazilian translations or "transcreations" of Arnaut Daniel's works – the only complete poetic translation in any language of his works.
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