Abstract
. Immediacy of the paper is related with strengthening of points of performative aesthetic in culture and art of last two decades. Accordingly to that, authors consider a conflict between two aesthetic paradigms of theatric culture: performative, on the one side, and psychological and realistic, on the other side. The researchers trace a correlation between appearance of a crisis in theatrical culture and transformation of cultural identity. Also, the paper clarifies a concept “cultural identity”, considers manifestations of crisis of cultural identity in theatre, reveals aesthetic values of two paradigms mentioned above, highlights related contradictions, mark perspectives in researching identification process in modern theatre.
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