Abstract

The brothers Jorge and Alberto Sanchez-Cabezudo have a very important role in the leap in quality taken by Spanish series in the second decade of the twenty-first century. With referents such as The Sopranos (1999–2007) and The Wire (2002–08), they adapted film language and narrative style to television series with Crematorio (2011) and La Zona (The Zone) (2017–18). In this interview we talk specifically about Crematorio as a social and political critique of contemporary Spain.

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