Abstract
Not unlike the traumatic memorization of the Spanish Civil War and its aftermath, current literary representations of immigration in Spain are often discussed in relation to those in cinema as well as other forms of mass media.1 Film certainly has received far more critical attention than literature in studies of immigration, and the reasons for this may be obvious: in spite of the unequivocal control that the camera’s gaze may have, the particular language of film may be more suitable in order to address the crucial question that also informs this essay, namely, who has the right and the responsibility to narrate the becoming of post-national Spain?
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