Abstract

This study aims to review the technique of transmitting the correspondance in the poetry of Muhammad Belkacem Khamar, in order to demonstrate the extent of the poet’s success in employing this technique to create innovative expressions and meanings, and to stimulate the recipient’s feelings to comprehend his poetry. In order for the recipient to feel what the poet feels in terms of emotions and transformations at the level of vision, and this study aims to reveal the semantic and aesthetic aspect that has been achieved by the correspondence of the senses in the poetic fabric of the poet, and in this research we study this technique by choosing poetic models, and interpreting them on the basis of the method Descriptive analytic.

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