Abstract
The aim of this article is to understand the socio-musical processes and practices of the norteño band Arte Norte in the creation of the corrido ‘Ovidio Guzmán, el Rescate’. This song narrates the violent events of October 17th, 2019 after the unsuccessful arrest of Ovidio Guzmán, in Culiacán, Sinaloa. We interviewed the composers and musicians in order to delve into the experiences and the creation of musical sense regarding the culiacanazo. We present the results in three sections: we approach the experiences of the musicians, their sources of inspiration and motivations to create the corrido; we present the strategies and the immediacy of their composition and promotion practices; we finally present the context, warnings and the management of risks by the musicians.
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