Abstract
The articles in this thematic issue of Encartes were written by researchers who participated in the project Paisaje sonoro, música, ruidos y sonidos de las fronteras, carried out in Tijuana at the end of 2022. Some of the participating researchers were also part of previous projects carried out at El COLEF on music and the processes of modernity. However, on this occasion the theme was directed to sound, music and the processes of listening from culture. In such a way that the writings derived from this project not only focus on sound, but also on listening, which is an indispensable conceptual binomial to think about sound processes and constitute fundamental categories for cultural processes, analogous to the opposition between identity and otherness, in the understanding that it is not possible to analyze one without the presence of the other.
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